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Some War Movies

December 27, 2012

Yesterday I watched on television the movies Patton, Midway and Apocalypse Now. A television network was having a festival of war movies. While watching for about 8 hours, I began to notice something about the commercials that struck me as strange. Of the over 200 commercials presented during that time, only one was for an American produced manufactured item. All the rest were either ads for financial products, food products, stores that stocked mostly foreign manufactured goods, various entertainment efforts, a few communication companies and four ads for foreign produced automobiles.

War movies are mostly guy things. They are made for men and concerned with men doing men things. Killing each other in great numbers is a man thing. Crying in anguish over the death of a comrade killed by one of the survivors of those he and his comrade have attempted to slaughter is another guy thing.

Women in war movies are rare. They appear only in an attempt to prove that in war movies the men are not, as most sensible people suspect, sleeping with each other.

At least one or two men in the war movies sleep with something that looks, if not acts, like a woman. These are generally portrayed as creatures whose minds are much smaller than their vaginas. Although we are often exposed to the limits of their minds we never actually see their vaginas. The men in the movies pretend their vaginas do not exist. One can surmise however that they must be robust for the men to be so interested in these insipid creatures during their inevitably brief appearances. it is either that or their shoes are too tight.

Apocalypse Now is the ultimate man’s movie. The plot is about a love affair between two men — a psychopathic, depressed, serial murderer and substance abuser goes in search of another psychopathic, depressed serial killer (but alas not a substance abuser) and kills him; a war movie’s version of orgasm.

Another notable feature of the movie is its emphasis on the males speech patterns, or man talk. Speech to a man is not an invitation to a dialog as it is with women but the declaration in a simple laconic statement their world view of the moment as uncontested fact — even if no one else either agrees or has any idea what he is talking about.

For example, The Dennis Hopper character, a war photographer (probably into SM) and to whom Captain Willard had just warned “You take my picture again I am going to kill you.” asks Willard who is tied up in a cage (SM alert) :

“Why would a nice guy like you want to kill a genius?”

Later he announces:

“The man is clear in his mind but his soul is mad.”

Robert Duvall portraying the surfing obsessed battlefield commander who loves waking up with the smell of napalm tickling his nostrils and observes archly that “Charlie don’t surf” comments:

“This war is run by four star clowns who are giving away the whole circus.”

Upon coming upon a platoon guarding a bridge at night during a particularly psychedelic fire fight Willard asks a one of the stoned platoon members, “Soldier who is in charge here? “ The soldier responds, “Aint you?”

“The horror. The horror.”

 

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  1. This and that from re Thai r ment.

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